This was followed by the absurdist village-set Hollywood Hong Kong (01), about a young Mainland prostitute who turns a tight-knit Hong Kong neighborhood on its ear, and the notably bizarre, DV-shot Public Toilet (02), a globe-trotting network of narratives each set in close proximity to a lavatory. All three display a knack for exploring the lives of fringe dwellers, and all showcase Chan’s talent for self-promotion and for drawing out disarming performances from unknowns.Ĭhan’s filmmaking remained offbeat after “the handover trilogy,” starting with Durian Durian (00), a thoughtful Hong Kong– and Mainland-set film following a young female sex worker and using the pungent fruit of the title as a motif.
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The film’s arrival was accompanied by tales of Chan scrounging leftover film stock, discovering a lead actor skateboarding on the street, and shooting guerrilla-style with minimal crew-an unprecedented blast of indie street-cred for a movie slated for the multiplex.Ĭhan quickly capitalized on his cachet by presenting this hit as the first part of a trilogy centered on the city’s handover to China, following up with The Longest Summer (98), about local soldiers left in the lurch after the British forces headed home, and Little Cheung (00), a neighborhood drama centered on a 9-year-old boy. Flipping off the pretentious local indie scene, his punchy, undisciplined take on the youth film used a DIY approach to woo mainstream moviegoers. But with 1997’s Made in Hong Kong, Chan engineered a collision of independent filmmaking and mass entertainment that became his trademark. His first directing credit was the Sixties-set ghost film Finale in Blood (93), which served early notice of the director’s taste for oddball comedy and genre experimentation.
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The Registrar of Record identified in this output may have an RDDS service that can be queried for additional information on how to contact the Registrant, Admin, or Tech contact of the queried domain name.Chan began his career in the early Eighties as an assistant director and sometime actor in mainstream films. By submitting this query, you agree to abide by this policy. Public Interest Registry reserves the right to modify these terms at any time. You agree that you will use this data only for lawful purposes and that, under no cir***stances will you use this data to (a) allow, enable, or otherwise support the transmission by e-mail, telephone, or facsimile of mass unsolicited, commercial advertising or solicitations to entities other than the data recipient's own existing customers or (b) enable high volume, automated, electronic processes that send queries or data to the systems of Registry Operator, a Registrar, or Afilias except as reasonably necessary to register domain names or modify existing registrations. This service is intended only for query-based access. The data in this record is provided by Public Interest Registry for informational purposes only, and Public Interest Registry does not guarantee its accuracy.
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